Vocal Kinesthetics Self-Paced Mentorship
Be the Voice teacher that makes the difference after students have “seen everyone”
Brain-based tools for stamina, overuse, tension, focus, and anxiety, for your students and for the instrument you've spent years investing in: your own.
Self-paced with lifetime access, built for voice teachers, coaches, and SLPs.
Right now you have singers you don't know how to help.
Maybe they have anxiety. Maybe they're neurodivergent, or carrying trauma that shows up in the voice. You've given them your best cues, and the voice stays stuck.
Your training gave you deep pedagogy. It rarely covered the nervous system, and that's the layer where these singers get stuck.
This course is for you if:
You have neurodivergent students (ADHD, autism, anxiety, sensory stuff) and want approaches built for their brains.
Your own nervous system is part of the equation, and you're ready to feel better in your teaching and your singing.
You work with performers whose bodies are clearly carrying something, and you want to help them without asking them to unpack their story.
You want to help more disabled and neurodivergent people learn to sing and tell their stories.
You know in your bones that singing is an athletic act. The pros with the longest careers train a whole kinesthetic system.
If that's you: welcome.
Efficiency sounds boring until 38 students drain your voice.
So many of us in the arts are overworked, overlooked, and caring for everyone except ourselves. You're the reliable one holding the studio, the family, the auditions, and your own singing, with very few tools to regulate your own system under that load.
Recover from overuse, manage vocal fatigue, and reconnect with your own voice. With more stamina, you get the option to see more students, grow your business, and keep singing as long and as healthily as you want.
When you can read and rewire the nervous system with confidence, burnout fades, your voice lasts all day, and you finally have room to sing for yourself. Your students heal as whole artists, and so do you.
Start with the brain.
Vocal Kinesthetics is applied neurology for singers. Your brain decides how much freedom your body gets, and when the "threat bucket" is full, learning stalls. VK gives you simple drills and assessments that lower that threat, so your cues finally land.
Performance training and vocal rehab become the same skill: teaching the body to feel safe, sense itself, and adapt under an athletic load. You keep every bit of pedagogy you already love and add the nervous system layer underneath it.
Your students' brains are in the room for every lesson.
This gives you a way to work with them on purpose.
Pedagogy is moving toward the individual brain in front of you. Teachers who add this layer become THE go-to studio for the singers nobody else could help.
Start with the brain, and teach on a whole new level.
Why I teach this
I trained as a coloratura soprano, sang opera professionally for over 10 years, crossed into musical theater belting, and I still work as an AEA actor and recording artist. Whatever your students sing, I've lived in their repertoire.
Then I got cast in Xanadu. I was excited and anxious about my brand new belt and mix, so naturally, just add roller skates. HA! I couldn't belt consistently no matter how hard I worked. Andrew Byrne (The Singing Athlete) introduced me to applied neurology, and after a strange foot drill and an inner-ear drill (think balance on skates), my belt flew out of me with so much freedom that I had to know more. I certified through Z-Health and still train regularly with their master trainers.
Content note: pregnancy loss.
Years later, after two miscarriages, I came back to performing with PTSD symptoms and walked into a last-minute understudy role. I used these same tools to calm my nervous system, and I performed with confidence. That's when I understood this work is truly the science of hope, for your voice and so much more.
As a woman working in this industry, I use applied neurology every day in my performing, teaching, and content creation, and I break it into bite-sized pieces you can use in your next lesson.
Why you can trust this work
MFA in Musical Theater from SDSU, dual graduate voice and pedagogy degrees from Boston University, and a seat on the NATS San Diego board.
Training in Estill, Mary Saunders Barton's Bel Canto Can Belto, and contemporary techniques. I deeply respect what voice teachers already know.
A research partnership with UCSD and Built Well for Life (a 501(c)(3)) studying why these tools work.
My graduates use VK with postpartum voice loss and with neurodivergent and complex students. One teacher fixed a student's ten-year intonation struggle with a single drill.
The Self-Paced Mentorship
What you get inside the VK Self-Paced Mentorship
For voice teachers, coaches, and SLPs ready to help every singer who walks through the door:
12 units of applied neurology training: an organized system you can pull from in any lesson.
Live singer demos: see exactly how each tool lands with real voices in real time.
Lifetime access: revisit any module as your teaching grows, and especially when a challenging student walks in.
A seat in the next live Level 1 or Level 2 cohort: community, answers, and accountability.
Optional certification: an exam plus video teaching demos with feedback, so you can credential your expertise and charge for it.
Ongoing additions and expert guest conversations, so your training grows with the science.
Program Investment: $1,597
Or split into 4 automated payments with no interest.
Value Breakdown
What this training is worth
Recorded sessions, valued at $30,000: years of curated expertise, organized and ready to apply.
10+ years of Z-Health trainer & movement professional training, valued at $30,000+, so you skip the decade and the fortune it takes to piece this together yourself.
Degrees and certifications in vocal pedagogy, contemporary technique, and performance, well over $100k of education, distilled into what matters most for your studio.
Real-world insight from a working artist actively balancing professional acting, recording, business ownership, and life.
Lifetime community and ongoing support: a Facebook group with Kim, expert guests, and a growing cohort of teachers using this work. Priceless.
Total Value: $67,000+ | Your Investment: $1,597
Proof Pudding
Here’s What past vk clients say
“This information has totally changed my life forever”
– Daniel Bayot
(Voice Teacher, Composer, R&B Singer, Los Angeles)
“My favorite discovery was the effect on my mood and disposition. It's been a rough year and I've been struggling for various reasons- but after each session I felt incredible and it lasted! I'm trying to incorporate the really high-payoff drills into my daily life, even outside of singing. My favorite topics were probably nerve glides and eyes.”
– Jillian Soares
(Actor, Brooklyn, NY)
“Kimberly Moller offers an approach to voice training that is both unique and effective. All singers at all levels could benefit from learning singing from a neurological approach, but the benefits of her teaching expand far beyond singing.”
– Gerilyn Brault
(Lecturer, MiraCosta College, San Diego-Based Actor)
Who is kim —and Why does this work?
Kimberly Moller is the founder of Vocal Kinesthetics, a method built on a neuro-centric methodology that integrates functional applied neurology with voice training. She is a San Diego-based voice teacher, but travels the world sharing brain-based training.
She holds certifications and advanced training with Z-Health Education, The Singing Athlete, The Movement Mentality Mentorship with Missy Bunch, and has trained alongside Andrew Byrne, Anna Hartman, Dr. Kaitlin Davis, Jessica Raum Foster, David Sten, and a range of Z-Health coaches across specializations.
She is also an active professional actor, recording artist, and voice teacher — so everything she teaches, she's living in real time.
“Kimberly’s Vocal Kinesthetics Intensive was exactly what I was looking for: research-based strategies and movement that I could use as a performer and also that I could pass on to my own students. It gave me a foundation in ways that I can help my brain trust singing better. It’s an amazing course. She brings great perspective in terms of pop, belt and retraining your brain.”
Bradley Behrmann
Assistant Professor of Theater, West Texas A&M
Your Questions, Answered
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Answer - It depends on how much you personally care about the inner-workings of your instrument and if you plan to teach singing in the future. I will host occasional open coaching classes on the private Facebook Group / Zoom.
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Join the VK Facebook Group to crowdsource and attend live Q&A’s with Kim. Please, no names when discussing personal history or singers you work with.
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May 2026, late July 2 week intensive, October online and TBA in-person 3 day training in San Diego.
Why should I do this mentorship?
In case you can’t tell, I’m pretty passionate about the power and potential of brain-based singing to transform outputs for singers and the teachers who help them. And I am just as passionate about sharing these techniques with as many teachers as possible.
Simply put:
It's truly the most effective work I've ever experienced in my singing and it's the missing piece in voice pedagogy classes at the collegiate level..
See you inside!
~Kimberly Moller
Ready to change what’s possible in your studio?
Your singers have been waiting for this. So have you. Start with the brain.